Kwan Yin

A duet for father and daughter that explores compassion and the emptiness nature of being.

The Mars Hotel

“ unapologetically promiscuous, polymorphous and perverse – Kwan’s queer take on love in The Mars Hotel is that she is interested in exploring its tropes in a manner that is deliberately askew, one that resists any totalizing grand narrative in favour of a slow accretion of episodes that are consistently off-kilter, that keep us off-balance and throw us off-course. Peter Dickinson, Performance, Place & Politics