SOJOURN is a program of residences for equity seeking artists, who since July 2020, have displayed and sold their material creations at Morrow. Paid residences are open space for these artists to dream, work and play – often experimenting across forms.

Sometimes the artists will open the blinds at Morrow and you will see them working. Some will be working with Critical Response Facilitator Joyce Rosario. As BC’s health restrictions open up, some artists will open doors for guests to witness and interact. Please contact if you’re curious to visit during a residence or if you’d like to be updated about what is open to the public. Here’s a calendar of SOJOURN Residences that run until December 2021, with a message from each artist:

Jess Wilkie
April 26 – May 2
I’m excited for the opportunity to further explore and develop my painting and drawing practices at MORROW. Finding spaces separate from home during this pandemic that safely nurture creativity is a rare gift. I want to spend this residency exploring how the experience of movement/dance within my own body can influence how and what I paint. I hope to continue to experiment with abstracting and amplifying the anatomy of humans, animals and other watery bodies. I haven’t yet worked with live models and will be inviting two other artists into the space at different times to exist freely while I reinterpret the “odds” and ends of their bodies through watercolour and ink. 
Oksana Augustine
May 3 -9
At my Sojourn Residence, I will be spending time painting a select few people’s auras and giving them a general reading about the energy and the colours that surround them. Afterwards, I will be dancing in the space with heightened awareness of my own aura and the energy that fills the space. 

Jo Hirabayashi
May 13 – 15
I am beyond excited about the opportunity to use this residence to film a segment of a music video for LA based band Media Jeweler as well as workshop some of my own music and video ideas. I have spent time in maybe maximum 3 spaces for the last year due to the pandemic, so the opportunity to get to work in another space is very inspiring for me. As a musician during covid, it’s rare to get the opportunity to work outside of my own practice space and I look forward to a fresh and clean space to help inspire fresh and new ideas.

Shion Skye Carter
May 16 – 23

During my Sojourn Residence, I’ll be diving into movement research for my project Flow Tide, a duet in collaboration with local Japanese calligraphy artist Kisyuu. First created in Summer 2020 as a short film, I’ll recontextualize ideas from the film version of Flow Tide into a live performance, to further explore the relationship between movement and the traditional art of Japanese calligraphy. I’m curious to see how the calligraphy tools and the lasting, visual shapes on paper created by sumi ink influence and interfere with embodied impulses, and how it overlaps with a meditative and task-based approach to choreography. I am incredibly grateful to have the support of Dumb Instrument Dance, to embark on this first phase of research.

Vines Arts Festival
Resilient Roots Program

June – August
Huge Thanks to Vines Arts Festival for enabling us to support the work of Peyton Straker and Manuel Axel Strain, who are part of Vines’ 2021 Resilient Roots Program. We look forward to this years festival and are thrilled to partner!
Roxanne Nesbitt
July 19 – 23
During this residency I will hang a selection of my handmade ceramic bells at the Morrow space. I am exploring the bells as a hinge between instrument and installation.

I hope to share a piece made at Morrow with a small audience if Covid restrictions allow. 

Peggy Lee
July 26-27 & July 31-Aug 1
For my Sojourn Residence, I’m interested in experimenting with scoring music for a silent film. I may invite other musicians to join me in improvising and trying scores that I compose. On August 1st, visitors will be invited to Morrow and I will share some of what I worked on during the residence.
Sarah Wong
August 2 -8
During my Sojourn residency, I will be nurturing a new collaboration with my older brother, Miles Wong and his partner, Elysse Cloma, who are musicians and DJs. We will research the combination of music and dance within improvisation scores that explore our artistic identities as members of the Asian diaspora. I am curious to explore how working together in an artistic context might morph our family dynamics as it opens space for us to find new ways to communicate, find agency, and express vulnerability. 

(Sarah may open a day of residence to share process with guests)

Stephanie Ameyaw
August 13 – 14 & September 3 – 4
During my residence I will bring Ankara fabric and sewing machine to create masks and accessories that source my Ghanaian roots. People are invited to drop by to witness. I’m also interested in sharing my personal inspiration story behind the art I make. I am acutely aware of the lack of supportive and intentional creative spaces and am thankful there are spaces like Morrow that offers BIPOC creatives a space to create, work and showcase the diversity of Vancouver’s local artists.”
Jackson Chien
October 12 – 16
Jackson is interested in having this opportunity to create dialogue with a community of artists, to be inspired by what the artists are working on, sensing the bigger picture to paint, create prints or sketch during this inspirational process. Other artists could be invited to move (COVID safely) to generate dialogue and improvise with painting, sketches and printmaking. The result could be shared with each other and guests to continually inspire and nourish each other’s creative soul from different generations and diasporic roots.

Hayley Gawthrop
October 4 –
I’m interested in building life sized, felted sculptures of parts of the human body that I believe we sexualize, fetishize or feminize through compulsory conditioning. I want to explore objectification and absurdity using these props for research and intimate performances at Morrow.
Sauha Lee
December 6-12
During my week at Morrow for Sojourn I will be working on a quilt-like sculpture using paper-making techniques made with locally gathered plants and green waste, recycled textiles, and found objects. In tandem, I will continue my research on making paper incense. These projects guide my reflections on land use, collaboration, cultural catharsis, waste, adhoc constructions and the nature of manual labour. To honour the important role that a space like Morrow is offering to the creative community, people are welcome to come to the space to view and have conversations with me about my work and process. I would be more than happy to share all that I can and to give back in this way. 

An integral part of these residences is a wonderful team or artists who will support by facilitating Critical Response Process, videoing and hosting the space:

Jessica Han
Video Artist
Joyce Rosario
Critical Response Process Facilitator
Shana Wolfe
Dance Artist

SOJOURN is made possible through the generous support of The British Columbia Arts Council and City Of Vancouver Cultural Services.

Huge thanks also to Vines Arts Festival for partnering with us!